Goolle Biography
Source(google.com)However, significant problems remain with the proposal. For example, the original criticism still stands as to how this would scale for other industries — what about book publishers, newspapers, movie studies, video game manufacturers and other industries that are also crying foul about “piracy”? The SAC dismisses other cultural industries pretty quickly, as if only the music industry is concerned about unauthorized copying. And, just like private copying levies have suffered from scope creep, as people no longer buy blank audio cassettes or CDs, or short-sightedness, as technology changes rapidly, it’s not clear how the SAC model would adapt to growing wireless and mobile computing or more distributed file sharing. Many more questions remain: Would small, independent artists, who are not charting through traditional means, get fair treatment? Is it wise to largely rely on a single, proprietary vendor, Big Champagne, for tracking all distribution? Would consumers be paying multiple times for music? What does it mean to “self-declare not to music file-share” in order to opt-out?
But the central problem with the proposal is the SAC’s copyright crutch. Jean-Robert Bisaillon says things like,
The Internet has dramatically increased the private non-commercial sharing of music, which we support. All that is missing a means to compensate music creators for this massive use of their work. [emphasis added]
And the proposal says things like,
Once a fair and reasonable monetization system is in place, all stakeholders including consumers and Internet service providers will benefit substantially. [emphasis added]
The SAC seems obsessed with a “monetization system,” when the truth is there is no one model, no magic bullet. Rather, the the sky is rising and the path to success involves all sorts of different models and creative approaches, most of which don’t depend on copyright or worrying about getting paid for every use. Even a voluntary license plan is still a bad idea. The means to compensate music creators isn’t missing, it’s just increasingly found outside of copyright.
Still, it’s important for the SAC’s voice to be heard as the copyright debate heats up again in Canada. As a creator group offering a positive take on peer-to-peer file sharing, and denouncing an “adversarial relationship” between creators and fans, they offer an important counterpoint to the SOPA-style provisions being pushed by Canadian record industry groups. I would take the SAC’s constructive and responsive approach over record industry astroturfing and fear mongering any day.
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Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
Goolle Dosti SMS In Hindi urdu Marathi In English Wallpaper Images Marathi Sad Photo
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